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The story of Salim Rashid Suri illustrates how the gramophone helped bring different musical worlds together. While still in his teens, in the 1920s, this restless soul began to roam, working on trading ships that plied from his home town of Sur, an old Omani slaving port, along the Gulf to Bahrain, Kuwait and Iraq - and further afield, to East Africa, Yemen and India.
On board he would have heard unfamiliar accents and stories, and doubtless joined in with the rhythmic sea shanties that helped pass a long voyage.
He quickly found a talent for song, starting with maidan - an Omani form of sung poetry - then picking up more complex sowt (Arabic for "voice") from early gramophone recordings made in Baghdad by popular singer Abdullatif al-Kuwaiti.
But his desire to pursue a musical career, his skill on the oud (lute) and his growing fame as The Singing Sailor enraged Salim Rashid's conservative-minded family. His brother even threatened him with a gun.
But his desire to pursue a musical career, his skill on the oud (lute) and his growing fame as The Singing Sailor enraged Salim Rashid's conservative-minded family. His brother even threatened him with a gun.
So, in the late 1920s or early 1930s, he left Oman to settle in Bombay. There he worked as a trade broker - and deepened his musical reputation.
One of his most famous recordings, Bi Allah faasaalooha, dates from this period. It is notable for mixing the Arabic oud with strong Bombay influence in the clarinet - adopted from British military bands - and tabla drum.
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سالم راشد الصوري - يحيى عمر قال
يا حلوة يا جارة - سالم راشد الصوري
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